Event photography in challenging lighting conditions: A corporate event at Weles Bar

  • Customer: Savills
  • Type of event: Corporate events
  • Event Date: Listopad 2024
  • Location: Weles Bar, Warszawa Śródmieście
  • Documentary-style coverage time: 3 godziny
  • Number of photos donated: 384
  • Turnaround time: zdjęcia dostarczone w ciągu 3 dni
  • Location:
  • Type of event: Corporate event, integration, illusionist show
  • Challenge: Working in difficult conditions, maintaining speakeasy atmosphere, dynamic documentary-style coverage

Weles Bar is undoubtedly one of the most atmospheric places on the event map of Warsaw. Hidden in the basement, it stands out for its speakeasy styling, glass glitter and elegance. For guests, it guarantees an amazing atmosphere and intimacy. For the photographer? This is one of the most serious tests of technical and equipment skills.

As event photographer I often encounter legitimate concerns from clients (event managers and marketing departments) organizing events in such challenging locations. The questions are usually the same: “Will anything be visible in the pictures in this darkness?” or “Won’t you spoil the mood with constant, aggressive flashing?”.

This realization is proof that it is possible to reconcile the technical quality and sharpness of the photos with the unique, mysterious atmosphere of the place. You don’t have to choose between visibility and atmosphere.

A framed graphic depicting two golden birds facing each other over buffalo horns on a dark background hangs on a wall with intricate ceiling tiles above. Warm lighting highlights the graphic.

How to photograph in dark interiors? My approach (Case Study)

I’m not going to pull the wool over your eyes that it’s possible to work exclusively on “ambient lighting” in a basement bar, if the goal is professional business photos where people look favorably. You can’t cheat physics – the matrix needs light. The key, however, is not to give up the lamp, but balance, feel and hybrid technique.

At this corporate event, I used a three-step approach to reflect the character of the evening:

  1. Bright optics as a base: I build most of my frames using ultra-bright lenses. They are the ones that allow me to “see” as much as the human eye can see, and preserve all those nuances of color – the warm glow of the big chandelier, the backlit bar and the discreet points of light on the walls. This makes the background not a black spot, but a vivid amber scenery with a beautiful bokeh effect.
  2. Smart flash (Flash): When participants stood in deep shadow or in unfavorable spotlighting (which can create ugly shadows under the eyes), I used flash. But note – not to “flood” the room with flat, white light. I use it point-and-shoot, often bouncing the light to just gently sparkle faces and bring out the foreground. Guests look fresh and professional, and the speakeasy atmosphere remains intact.
  3. Natural skin color and balance: Weles is a feast of colors – from deep reds to cold blues. What builds the atmosphere of the interior can ruin a portrait, giving the skin an unnatural, “corpse” tone. Conscious use of flash allows me to achieve natural skin color (skintone), which is crucial in branding portraits. The flash also saves group shots, where often one person stands in perfect light and the other in darkness – the lamp evens out these contrasts. Sometimes it also allows for creative touches, as in the final shot with the bartender, where the flash froze the movement of the shaker, capturing the dynamics of working behind the bar.

Emotions and details: illusionist show

The main attraction and highlight of the evening was the magician’s performance. B2B event photography is not about documenting the tricks themselves – the illusionist’s hands are usually faster than the shutter, and the “secret” of the trick remains hidden anyway. The photographer’s real goal is people’s reactions.

A group of women sit at a table, smiling and watching a magician perform a card trick. One of the women is holding a glass of wine, while the others look intrigued and amused. The setting seems lively and sociable.

Live magic is a test of reflexes. The surprise on your face or the burst of laughter from the entire team lasts for a split second. With a combination of reflexes and the right equipment settings, I was able to capture those authentic, unposed emotions – from disbelief to shock to pure joy.

Why is this important? Because these are the shots that build the greatest value of material for HR and PR. They show commitment, integration and a great team atmosphere, which is crucial in employer branding communications.

Looking for a photographer for an event in Warsaw?

Are you planning an event in a venue with difficult lighting, such as a club, bar or banquet hall? Need a photographer who will deliver sharp and technically correct footage without destroying the event atmosphere you’ve worked so hard to create?

Contact me. I know the peculiarities of Warsaw event venues (such as Weles Bar) and how to show your event from the best side – no matter how dark the room is. No lime.

A bartender in a white shirt and black gloves shakes a cocktail shaker behind a dimly lit bar, with shelves full of various bottles and glasses in the background. Streaks of light create a dynamic atmosphere.

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